
Nadja Asghar
Explore Nadja Farah Bratland Asghar’s emotive art that delves into human emotions and connection. Join “Salon de Refusées” to empower female artists.
Explore Nadja Farah Bratland Asghar’s emotive art that delves into human emotions and connection. Join “Salon de Refusées” to empower female artists.
Sophia Ato’s installation “information pollution” at krautART’s “Salon de Refusées” confronts the overwhelming daily assault of information. This mixed media piece creates a looping metaphor for the repetitive pressure of life, urging introspection amidst the chaos.
Illustrator Yuchen Bian showcases “A Tree In Battersea Park 03” at krautART’s “Salon de Refusées,” a framed print that reflects on life’s fleeting moments through memory and nature’s lens.
Engage with CharLotte’s poignant ‘Schwimmen’, a visual and textual odyssey that delves into the heart of female sexuality and empowerment.
Step into Mary Crenshaw’s world of art where Eastern philosophies meet Western strength. Her multidisciplinary approach in painting, drawing, and sculpture creates a dynamic interplay of energy, humor, and tragedy. Dive deeper into her journey and be inspired by her experimental spirit.
Einblicke in den Salon de Refusées: Radio-Interview mit Cornelia Es Said auf Radio Magic City Six erörtert, wie diese Ausstellung Künstlerinnen unterstützt, die an den Rand gedrängt werden.
Enter Alice Cuenot’s realm with “Capirona,” a canvas that not only paints but breathes the spirit of healing and the wild.
Chiara Dalla Costa, a Berlin-based Italian artist, draws inspiration from the realms of mysticism and self-discovery. Her enchanting creations, known as ‘Tiny Mystic Creatures,’ emerge from a deep connection with the spiritual and the unknown.
Step into Gennifer Deri’s world, where “Decrypt for-mat#1” defies norms and decrypts the body’s narrative beyond societal constructs.
Through her work, Cornelia Es Said calls for a reckoning, urging us to see beyond profit and power to the sanctity of collective human experience.
Elina Evstig combines realism with abstract techniques in oil. She is passionate about depicting people, especially portraits of women.
Zarahlena’s “Gypsophila y todas las flores” at the Salon de Refusées is a visual protest against femicide, reflecting her struggle against censorship and societal silence.