Die „Pop-up Gallery – made in Lichtenberg“ geht erneut an den Start! In Slot 1 (17. Oktober bis 22. November 2024 im Ring Center II in Berlin) stellen die Künstler*innen Cornelia Es Said, JYE, Jula Lada Ostwind, Nathalie Lendermann, Katja Jandrijasevic und Lacy Barry aus. Die Ausstellung des anschließenden Slot 2 zeigt Werke von Vsevolod Kovtun, Wadim Herrmann, Nicolae Conecinai, Chi Maulbetsch, Oksana Metka und Dennis Fiebich, und läuft bis zum Jahresende 2024.
The “Pop-up Gallery – made in Lichtenberg” is starting again! In Slot 1 (October 17 to November 22, 2024 in the Ring Center II in Berlin), the artists Cornelia Es Said, JYE, Jula Lada Ostwind, Nathalie Lendermann, Katja Jandrijasevic and Lacy Barry are exhibiting. The exhibition in the subsequent Slot 2 shows works by Vsevolod Kovtun, Wadim Herrmann, Nicolae Conecinai, Chi Maulbetsch, Oksana Metka and Dennis Fiebich, and runs until the end of 2024.
Die Galerie im Turm bewegt sich mit Maithu Bùis Ausstellung “fromBattlefields toRoborders” an der Schnittstelle von Technologie und Grenzsicherung. In ihrer Ausstellung untersucht die Künstlerin „intelligente“ Grenzen und hinterfragt Themen wie den geplanten Einsatz vollautonomer Systeme oder die gewalttätigen Ursprünge von Grenztechnologien in Kriegsgebieten. Eine wichtige künstlerische Auseinandersetzung mit brandaktuellen Themen, die Sie nicht verpassen sollten.
Galerie im Turm delves into the intersection of technology and border security with Maithu Bùi’s exhibition “fromBattlefields toRoborders.” The artist explores “smart” borders and addresses issues like the planned use of fully autonomous systems and the violent origins of border technologies in war zones. This critical artistic examination of current issues is not to be missed.
Die „Pop-up Gallery – made in Lichtenberg“ ist bis zum 27. August 2024 im Ring Center II in Berlin zu sehen. Bis zum 5. August wird „Defiance!“ von Cornelia Es Said aus der Serie „Generation Courage“ gezeigt.
The “Pop-up Gallery – made in Lichtenberg” is open until August 27, 2024, at Ring Center II in Berlin. Until August 5, “Defiance!” by Cornelia Es Said from the “Generation Courage” series is on display.
Discover Eva Alvor’s haunting textile masterpiece “Dead Bird,” where the threads of life and loss entwine in a stark dance of color and form. This Ukrainian artist’s hand-embroidered narrative evokes a poignant fairy tale, rich with existential musings and a decadent touch of mysticism. Uncover the enigma woven into every stitch.
Julia Apostolidou’s “divine” challenges traditional beauty narratives with its bold representation of the female form. This piece, blending oil and oil pastels, confronts societal pressures and the male gaze, advocating for self-confidence and agency. Apostolidou’s departure from hyperrealism in this work spotlights the beauty in imperfection, urging a reevaluation of beauty standards and self-worth.
Laura Aranda’s “Intertwined II,” featured in krautART’s “Salon de Refusées,” is a thought-provoking art print. Aranda delves into dream interpretation and the human figure, unearthing emotions from nostalgia to fear. Her versatile style, influenced by various art movements, oscillates between abstraction and figuration, offering deep introspection and connection.
Sophia Ato’s installation “information pollution” at krautART’s “Salon de Refusées” confronts the overwhelming daily assault of information. This mixed media piece creates a looping metaphor for the repetitive pressure of life, urging introspection amidst the chaos.
Illustrator Yuchen Bian showcases “A Tree In Battersea Park 03” at krautART’s “Salon de Refusées,” a framed print that reflects on life’s fleeting moments through memory and nature’s lens.
Step into Mary Crenshaw’s world of art where Eastern philosophies meet Western strength. Her multidisciplinary approach in painting, drawing, and sculpture creates a dynamic interplay of energy, humor, and tragedy. Dive deeper into her journey and be inspired by her experimental spirit.
Einblicke in den Salon de Refusées: Radio-Interview mit Cornelia Es Said auf Radio Magic City Six erörtert, wie diese Ausstellung Künstlerinnen unterstützt, die an den Rand gedrängt werden.
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