Collage trifft Chaos, Kontrolle trifft Zufall: „Road to Nowhere“ zeigt, wie zwei Schweizer Künstler mit Schere, Druck und Intuition das Medium Collage neu denken.
Where collage meets controlled chaos: Swiss artists Tashi Brauen and Chris Bünter transform old magazine pages into bold new compositions.
Berlin’s first Macro Art Dot indoor exhibition at Waschhaus Köpenick! Over 40 artists unite diverse styles in a vibrant week of art, talks, and live performances. November 21–27, 2024.
Die „Pop-up Gallery – made in Lichtenberg“ geht erneut an den Start! In Slot 1 (17. Oktober bis 22. November 2024 im Ring Center II in Berlin) stellen die Künstler*innen Cornelia Es Said, JYE, Jula Lada Ostwind, Nathalie Lendermann, Katja Jandrijasevic und Lacy Barry aus. Die Ausstellung des anschließenden Slot 2 zeigt Werke von Vsevolod Kovtun, Wadim Herrmann, Nicolae Conecinai, Chi Maulbetsch, Oksana Metka und Dennis Fiebich, und läuft bis zum Jahresende 2024.
Explore Maithu Bùi’s “fromBattlefields toRoborders,” a thought-provoking exhibition on AI-driven border technologies, their violent origins, and ethical dilemmas.
Maithu Bùi’s Soloausstellung „fromBattlefields toRoborders“ in der Galerie im Turm führt in eine kritische Auseinandersetzung mit KI und Grenztechnologien, begleitet von Videos, Postern und Rauminstallationen. Ab 1. August 2024, Eintritt frei!
Die „Pop-up Gallery – made in Lichtenberg“ ist bis zum 27. August 2024 im Ring Center II in Berlin zu sehen. Bis zum 5. August wird „Defiance!“ von Cornelia Es Said aus der Serie „Generation Courage“ gezeigt.
The “Pop-up Gallery – made in Lichtenberg” is open until August 27, 2024, at Ring Center II in Berlin. Until August 5, “Defiance!” by Cornelia Es Said from the “Generation Courage” series is on display.
Discover Eva Alvor’s haunting textile masterpiece “Dead Bird,” where the threads of life and loss entwine in a stark dance of color and form. This Ukrainian artist’s hand-embroidered narrative evokes a poignant fairy tale, rich with existential musings and a decadent touch of mysticism. Uncover the enigma woven into every stitch.
Julia Apostolidou’s “divine” challenges traditional beauty narratives with its bold representation of the female form. This piece, blending oil and oil pastels, confronts societal pressures and the male gaze, advocating for self-confidence and agency. Apostolidou’s departure from hyperrealism in this work spotlights the beauty in imperfection, urging a reevaluation of beauty standards and self-worth.
Laura Aranda’s “Intertwined II,” featured in krautART’s “Salon de Refusées,” is a thought-provoking art print. Aranda delves into dream interpretation and the human figure, unearthing emotions from nostalgia to fear. Her versatile style, influenced by various art movements, oscillates between abstraction and figuration, offering deep introspection and connection.
Explore Nadja Farah Bratland Asghar’s emotive art that delves into human emotions and connection. Join “Salon de Refusées” to empower female artists.
Sophia Ato’s installation “information pollution” at krautART’s “Salon de Refusées” confronts the overwhelming daily assault of information. This mixed media piece creates a looping metaphor for the repetitive pressure of life, urging introspection amidst the chaos.
Illustrator Yuchen Bian showcases “A Tree In Battersea Park 03” at krautART’s “Salon de Refusées,” a framed print that reflects on life’s fleeting moments through memory and nature’s lens.
Engage with CharLotte’s poignant ‘Schwimmen’, a visual and textual odyssey that delves into the heart of female sexuality and empowerment.