AI warfare has blurred the line between ethics and efficiency, turning conflict into code. Who profits, who pays, and can humanity retain its moral compass as AI takes over the battlefield? Let’s dive into the unsettling realities of autonomous weapons and the urgent role of art, activism, and empathy in resisting this dystopian future.
Die „Pop-up Gallery – made in Lichtenberg“ geht erneut an den Start! In Slot 1 (17. Oktober bis 22. November 2024 im Ring Center II in Berlin) stellen die Künstler*innen Cornelia Es Said, JYE, Jula Lada Ostwind, Nathalie Lendermann, Katja Jandrijasevic und Lacy Barry aus. Die Ausstellung des anschließenden Slot 2 zeigt Werke von Vsevolod Kovtun, Wadim Herrmann, Nicolae Conecinai, Chi Maulbetsch, Oksana Metka und Dennis Fiebich, und läuft bis zum Jahresende 2024.
Explore Maithu Bùi’s “fromBattlefields toRoborders,” a thought-provoking exhibition on AI-driven border technologies, their violent origins, and ethical dilemmas.
Maithu Bùi’s Soloausstellung „fromBattlefields toRoborders“ in der Galerie im Turm führt in eine kritische Auseinandersetzung mit KI und Grenztechnologien, begleitet von Videos, Postern und Rauminstallationen. Ab 1. August 2024, Eintritt frei!
KI verändert die Kunstwelt – aber zu welchem Preis? Von Urheberrechtsstreitigkeiten bis hin zum Kampf um die Anerkennung von Künstler*innen – erkunden Sie mit uns die drängenden Themen, die die Zukunft der Kunst prägen.
AI is transforming the art world, but at what cost? From copyright battles to the fight for artist recognition, delve into the pressing issues shaping the future of art.
In the realm of contemporary art, few pieces capture the complex interplay between tradition and modernity as profoundly as ‘Earth Shamaness’ from the ‘Digital Shamans’ series by Cornelia Es Said.
Explore the severe consequences of budget cuts on the arts and democracy, how these cuts erode cultural diversity, foster elitism, and weaken social cohesion. Uncover the broader impact on society and the implicit elitism in privately funded art.
Discover Eva Alvor’s haunting textile masterpiece “Dead Bird,” where the threads of life and loss entwine in a stark dance of color and form. This Ukrainian artist’s hand-embroidered narrative evokes a poignant fairy tale, rich with existential musings and a decadent touch of mysticism. Uncover the enigma woven into every stitch.
Julia Apostolidou’s “divine” challenges traditional beauty narratives with its bold representation of the female form. This piece, blending oil and oil pastels, confronts societal pressures and the male gaze, advocating for self-confidence and agency. Apostolidou’s departure from hyperrealism in this work spotlights the beauty in imperfection, urging a reevaluation of beauty standards and self-worth.
Sophia Ato’s installation “information pollution” at krautART’s “Salon de Refusées” confronts the overwhelming daily assault of information. This mixed media piece creates a looping metaphor for the repetitive pressure of life, urging introspection amidst the chaos.
Step into Annabelle Hoffmann’s “All colours are beautiful,” where every hue whispers a story of urban metamorphosis, and the city’s pulse becomes a canvas for reflecting on identity and existence.
In ‘Exchange Currencies,’ Natasha Lelenco crafts a bold narrative through wooden coins, reflecting on identity and the elusive concept of value. Her work stands as a profound invitation to reassess our understanding of art’s worth and societal belonging.
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